LIVING ART JELLYFISH PROFESSIONAL
*Please note that colours may appear differently depending on computer monitor display settings.I have been a professional artist for 5 years and I have exhibited in some of the most prestigious galleries in London such as Saatchi gallery. I have had 1000s of happy customers and I am sure you will love your prints <3, but If for some reason you change your mind about the print please note that you will have to return it to me at your own cost to get a refund. I no longer use royal mail.įor UK I use Royal Mail first class service and all parcels are tracked on delivery. Please note that international orders are sent using UPS or DHL.
If you would like them signed please contact me after the purchase. Prints are printed on high quality Fuji photo paper without borders and frames are not included.
I am extremely passionate about all the things vintage and love recycling old images into new unique modern artworks, which are also timeless.įollow me on my instagram to see all the new art and process of creating them sizes are specified on the size. My artwork is made by using traditional collage art technique with various vintage images from magazines and books that I collect from all over the world.
This print is a perfect statement piece in your wall gallery and it guarantees to bring a unique character to your home. These prints are big and make wonderful statement pieces in your living room, bedroom, hallway or even office. Support comes from the Australian Embassy and the Netherlands.Due to a high demand I’m offering these gorgeous prints now as EXTRA LARGE PRINTS. It’s true that companies who hurt the environment also give something back to that environment and find a way to make it more liveable for all of us.” “If you scratch the surface of any institution nothing is one-dimensional. However, for a museum that is largely funded by money from the oil industry (the co-founders Dasha Zhukova and Roman Abramovich both owe parts of their fortunes to mining fossil fuels) is this environmental focus in conflict with its history or in response to it? The curators say the museum has made efforts to become more environmentally friendly by recycling waste and installing solar panels. Image courtesy of the artist and Marian Goodman Gallery, London
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The museum is also calculating its carbon footprint for the full six-month run and plans to offset any difference by planting trees.Īllan Sekula's Volunteer On the Edge (Islas Cíes, 12/20/02), from the series “Black Tide/Marea negra,” (2002–03) © Allan Sekula. The curators have adopted a number of environmentally friendly processes in the show’s design, including reusing temporary walls from previous exhibitions, using local materials to recreate works according to the artists’ instructions and making digital-only guides. “One of the biggest problems is the idea of doing an exhibition about ecology but not doing it in an ecological way,” Krasteva says. “In Russia, nobody seems to be panicked enough about it.” The exhibition will take over the gallery’s entire space making it the biggest in its history, and with more than 50 artists and eight large-scale immersive installations, the curators also believe it to be the biggest exhibition ever on the subject.įurthermore, the show aims to practice what it preaches. “It’s time to address this issue,” says Snejana Krasteva, who has co-curated the show on environmentalism and ecology with Ekaterina Lazareva. As the environmental crisis makes headlines in Europe, with the Extinction Rebellion protests and the powerful speeches of Greta Thunberg, Moscow’s Garage Museum of Contemporary Art is getting involved with an ambitious group exhibition.
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